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  • Working on a remix comp. Any thoughts on this one?

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    • Better than the original. The mix is pretty cool, just take the kick 0.5dB. down and its good. If you want to keep the punch, then remove some of the kick from 350-550.

      And yes I complain about kick all the time, even my own. But if you take your track on speakers, and begin turning the volume down, it ends up with a very dominant kick in the mix.

      • Cheers Piv, I took out a bunch already, but will notch out a little more in the low miss. Considering it’s the one sound that plays for at least 80 to 90% of your track the kick is pretty important 😉

      • One trick I’ve been using lately to control the low end frequencies is using soothe as a dynamic eq. Dialing in frequencies from about 130 and below, and then setting attack time so it really only affects the end of the kick and releases quickly. If you take about a lot fo that sub info it really cleans up the low end. 100% of my earlier tracks…Read More

        • I use Fabfilter MB limiter for that trick . I really dont like these new plugins. They got so many phase issues because it basically a 48k band dynamic EQ.

          Im not saying there is no need for kick. But this one is headphone mixed, and you can hear it on speakers.

          • I hear you on phase issues. Especially in the lows. I’ve been using shaperbox to look at the wave of my kick in real time while processing, to see what the impact of any editing is. That’s helped a lot to confirm the change’s and avoid mis aligning the phase. I’ll post some screenshots when I’m home over the weekend.

    • mix sounds good, as for the kick, I’ll take Piv’s word on that! Love the movement on the main bass/synth. Getting the low end to sound right has always been my biggest problem…

      • Cheers Paul. Get the low end right, and the rest falls into place. It’s a journey for sure.

        • Not a fan of the vocal, but then I guess it wouldn’t be much of a remix if you took it out 🤣 Rest sounds great to me – really like the bass and shufflly hats (???) from the get go. And, yeah could maybe take a little off the kick without losing much.

          • Made some updates to the mix. Dropped kick by a full DB, better EQ on claps, some additional compression on the mixdown, and some serious reduction on the background foley that was just creating a noisy floor. Aced the car test, I’m thinking this one is done.…Read More

  • I don’t know what I’ve been doing for 4 years, but I just started running a band camp now:)

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  • WTMO and our family of labels are now Twitch ready.

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    STATIC CORN
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  • Hi gang!
    Your thoughts about the new IG/FB/Meta music policy?
    Since now, does it still make any sense to upload something there?
    When I upload a mix to YT, they analyze the content, mark copyright but be like “Okay, the artist/label doesn’t mind you use their music.”
    But Meta be like “I hear the sound – I remove the sound!”
    So I think about…Read More

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    • It works fine for me. Facebook even pays me for my previews. It’s not facebooks or any of the others fault. It’s the labels/distributors that are responsible. I have also had music on Youtube that got muted in some of the dj mixes.

      Below picture is what facebook does to my copyright. Everything still works. I just get the money

      • Nice that you could break the system. Cuz today I got “We can’t recommend your page content” 🤪

        • all my previews got monetized a few weeks ago automatically. Problem is when people use UMG in their mixes. Then all hell break loose because they want everything, so using something from them or some of the other big ones. Will get you warnings. .

          • Nice! Keep on going! 😎
            We’ll see how it works with my own music. Got some new projects in my head but can’t duckin’ start. 😂

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About Me

DEHN

Label Owner at Thorium Records

Behind the name, DEHN is Thorium Records label owner Michael Klit. He started playing some vinyl around 98-99, but he quickly began producing his music under the name Static Corn. In the summer of 99, he also began to make underground raves under the name of GerningsStedet. The parties were held, under parking lots, on abandoned farms, and old factory halls. He also played at the parties as DJ, where his style was minimal / pro-aggressive psytrance from the Danish underground scene. He later was a downbeat DJ at the venue Bryggen for several years.

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