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PR23 – Breakthrough V1

last updated by

AFL 3 months, 2 weeks ago

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- May 18, 2024 at 13:47 #8126
  
  PR23
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- May 18, 2024 at 16:23 #8128
  
  Temple01
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  hi Paul Like the 303 bass line in this has nice rhythm, the kick is solid this is thumping i like , i think the hats/snare could pos come out to cut thru slightly as the bass is very dominant maybe they need to be louder a touch and raise the high end freq on the hats, this is a great track i enjoyed ..T
- May 21, 2024 at 10:49 #8149
  
  SCHEPPERZ
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  Hey Paul, yeah I’m with Tim about the bass’ level. But I really like that dirty kick from the get go 🤘 The kick itself would smack a bit more with some dynamic eq around 250 Hz. The best section of that track was when the new synth / sound came around 4:11 (which I think could have been 4 – 8 bars earlier in snippets maybe, or would be slowly filtered in). And for the icing I think a snare/clap in the last third could really give another climax section before ending the track. The track has really a very solid foundation and is worth finishing for sure. Cool production Paul! P.S. I also wished the break at 2:08 around 4-8 bars longer 🙂
  - May 27, 2024 at 22:56 #8498
    
    PR23
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    Cheers Tim, a few tweaks and I think it will be done.
    - May 27, 2024 at 22:58 #8499
      
      PR23
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      Thanks Michael, relistened today after a pause to get some perspective, a few changes to make . I did have that break longer at first so I may extend it!
- May 25, 2024 at 17:32 #8198
  
  Zach
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  This one had me moving and grooving in the studio. It sounds to me like the high end is lacking though. Perhaps boost the highs on the hats, or maybe add some white noise sweeps here and there to fill out that top space. The lead at 4:11 is super cool, but I think it’d build more anticipation if you teased it just a little throughout the first half.
- June 1, 2024 at 18:43 #9766
  
  AFL
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  Always love the acid style, 303s FTW.
  
  I agree with Mike, the high end feels a little subdued maybe. Otherwise this is bangin.
  
  Really like the transformation in the synth around 4:13
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